THE PRAYER ROOM : 

All the pictures depicting the various forms of the Parmatma decorating all the walls of the vast Prayer-room with sayings giving knowledge engraved on them are prepared with the ideals of Satya-Yagna of Rev. Prabhushree. Behind every picture, Rev. Prabhushri has done tremendous ‘Tapasya’ (penance). Behind each picture, Rev. Prabhushri has performed worship and ‘Dhyan’ (meditation) from one to six months. Only when the form of ‘Parmatma’ in the picture became glowing with knowledge (‘Chinmayta’) that it was installed in this temple. All these pictures (paintings) depict the true ‘Incarnations’, partial Incarnations forms of Sakti or divine personages which were approved by His divine knowledge. 

AKHAND DHUN : (constant, unbroken, round-the-clock recitation; chanting) 

In any temple, a system of Akhand Sankirtan i.e. the unbroken round-the-clock singing of the name of the Parmatma is most essential for its glow of divine knowledge and divinity. The place where the name of Parmatma is being remembered continuously and uninterrupted, the continuous existence of the Parmatma would prevail there. And that is why Rev. Prabhushri desired that in this temple also, one Akhand-Dhun might continue on a permanent basis, so that it may achieve all-round welfare of the temple. Initially, due to His efforts, the ‘Akhand-Dhun’ had continued for some time. But later on, due to lack of able manager and lack of members, the ‘Akhand-Dhun’ could not be continued.  

In conclusion, it can be said that in view of Rev. Prabhushri, this Satyayuga Shri Ramji Mandir is a Chaitanya Dham. He had many a times visited this Shri Temple in the past. He had also divine fervours and ‘Darshans’ (glimpse). On account of such high feelings for this place, he had accepted the invitation for, performing the ‘Pran-Pratishta’ ceremony of this Shri Temple. Not only this, He had performed immense amount of ‘Tapasya’ (penance) in order to awaken the Shri Temple to be alive with Pran (life-breadth). If one makes a most minute study of this Shri Temple, looking ordinary from outside, then one will find many high spiritual matters incorporated in it. For example, Shri Bhagwan Ramchandraji installed in the Shri Temple is with four hands. Now only ‘Paratpar’ form of Shri Vishnu Bhagwan is having four hands. And so, the meaning of the form installed in the Shri Temple is that Para-Brahm (Shri Vishnu Bhagwan) Parmatma from whom all the true Incarnations have manifested, is existing in His very sat-chit-Anand Form as Shri Ramchandraji Bhagwan. Hence, here there is not only the Incarnation of Ramchandraji -The son of King Dasharatha in this form but all the true Incarnations are included in it.  

Rev. Prabhushri has said that, “The true majesty of a temple does not lie in its external appearance but in the spirituality existing in it.” And that is why most subtle of the subtle care has been taken for the sake of the divinity of Shri Temple. He has, in fact, said that, “Why cannot this place become a Dham like Badrinath?” And that is why, He has made many suggestions to the trustees. He had once told in the context of the ‘Tapasya’ and effort He had made for the sake of this Shri Temple that, “Now another temple of this kind to be constructed in this life, would not be possible (for me).”